Reedsy published my recent short story Family-Not-Family on their website. Quick and sweet, it’s a tribute to anyone who has found themselves around a festive table surrounded by people who are not family, but might as well be.
If you’ve ever considered joining National Novel Writing Month, but you haven’t committed, listen to this podcast from The Creative Penn.
The challenge: Write 50,000 words in the month of November.
The real goal: An exploration in time management, in the writing process, and in the changes that come with community, accountability, goals, and motivation. For solitary writers, it’s a way to experience a whole new way of writing.
You may hit that 50,000 mark, or you may miss. But more importantly, you may find new ways to write, new methods to keep yourself accountable, and new community members to join you in the process. And who knows? Maybe you’ll end up with the first draft of a your next novel.
Find your inspiration at The Creative Penn Podcast: Write a Novel In a Month – NaNoWriMo.
This year I’m skipping NaNoWriMo. I’m in full book launch mode, and my November project plan is stuffed with tasks to launch my first book (coming January 2020.)
But maybe I’ll see you at the NaNoWriMo boards in November 2020!
Some websites that present consistently awesome poetry based on current events (per the conference speaker).
I’m at the Florida Writers Conference and I’m scooping up lots of book recommendations, new contacts, and a few pages of notes.
First up, some rules on collaboration.
- Don’t choose a diva partner.
- Choose someone at the same level as you. There cannot be an imbalance of power.
- Put it in writing. Who makes decisions? Who is responsible for finding agent? Etc.
- Decide your process first. Here are three options that work.
I’ve completed about a third of the lessons in R. L. Stine’s MasterClass and I’m loving it. Here are a few of my take-always so far. Writing doesn’t have to be hard and stop listening to the people who say it does.
Spend the difficult hours on the outline so the writing time is fun. Make sure the outline includes the twists, and there should always be twists.
When it comes to writing scary stories for kids, it is to be obviously unrealistic so kids feel safe enough to enjoy being scared. Young adult writing has to be more realistic or teens check out.
And there are a few key things that make reading fun, especially for kids.
Another twenty or so lessons to go with this one. So far, I’m a big fan.
Signing up for a full year of MasterClass has been all it was promised and then some. I started with the class by Margaret Atwood, then flew through James Patterson, Dan Brown, Shonda Rhimes, and Judd Apatow.
Every class has its own takeaways that resonate for me–the right words at the right time.
From Gaiman’s, it’s this message: You learn more from a finished failure than a finished success. And you learn nothing from a string of unfinished starts. Even if the story is terrible, even if you know it’s not quite working, finish it anyway so you can learn from it and move on.
Samantha Keel offered an interesting perspective on how using more realistic injuries and their consequences can boost plot and character development.
Today I heard a succinct and accurate explanation of why indie publishing appeals to me. David Kadavny summarized it so well when he was interviewed on The Creative Penn Podcast (episode July 1, 2018):
“Traditional publishers are looking for traditional authority triggers” and this is no longer relevant in how I choose to learn or share information.
In the indie world, authority is based more on what works than what the gatekeepers have done in the past.
Authors are interviewed on podcasts all the time, and nearly every episode includes at least one book recommendation.
Once in awhile, I hear the same recommendation over and over.
Here are three recurring recommendations from The Creative Penn podcast.
I like writing in first person, real life, working through the hard times to overcome fear and obstacles, and reach that final goal.
I also enjoy reading this kind of thing–sometimes. And sometimes I find this kind of writing more self-indulgent than satisfying.
In an episode of the Creative Penn podcast, Tim Graham succinctly outlines the difference.
I’m loving this podcast for all sorts of reasons. Check it out.